Alfred Hitchcock is generally known as a master of suspense and as the director of classic thriller films such as “Psycho” and “The Birds”. As early as 2001, museums in Paris and Montréal dedicated an exhibition to him in which Hitchcock’s connections to the visual arts were traced: In fact, in his youth he not only took drawing lessons and took courses in art history and then initially worked as a draftsman, set designer and architect came to film, but he also collected contemporary art himself well into old age. You can watch free movies online and find the best Hitchcockian movies.
The Best References
What has so far not been taken into account, however, are the multiple references that his films have to the other arts – literature, theater, architecture, music, dance, but also (perhaps less surprising in view of Hitchcock’s imposing stature) to Culinary art – exhibit. They show the diverse interests of Hitchcock and his endeavor to process as wide a range of suggestions as possible into the total work of art for his films, when his oeuvre was first discovered and appreciated by the French avant-garde film critics in the 1950s.
- As part of the lecture series “Hitchcock and the Arts” from November 14, 2011, eleven scientists will deal with the cinematic work of Hitchcock from their respective subject areas – since Hitchcock is now also recognized as a refined film artist who is now also beyond of cinema has prevailed in contemporary art, among other things, a lecture also deals with the reception of Hitchcock in the context of contemporary video installation art.
- In order to adequately account for Hitchcock’s main passion (besides the film), two lectures will deal with the role of food in his films, with the audience in one case even being able to enjoy a dish from one of the films to be able to try afterwards.
An accompanying film program in the eight and a half cinema rounds off the series.
He is considered the “Master of Supense”, a master in the art of creating tension: Alfred Hitchcock. The British director created milestones in film history with films such as “The Man Who Knew Too Much” or “Vertigo”. Now an illustrated book offers an overview of his career and his extensive work. From film stills and set photos to a collection of his cameos in his own films.
A gray and silver propeller machine flies just a few meters over a lonely asphalt road. The plane almost drives the main actor Cary Grant in front of it, shooting at him again and again. The volleys just miss the man. While he runs and throws himself in the dust again and again to seek cover, his tie keeps slipping. Finally the persecuted flees into a dry brown-yellow cornfield. The breathtaking scene from the film “The Invisible Third” – a piece of film history. The image described – just one of numerous iconographic images that cineastes can immediately assign to the respective strip and which inspired many later directors.